FASHION STATEMENT

 

MOVIE
Mrs Harris Goes To Paris
Director Anthony Fabian
Reviewer Ray Chan

Here’s a sleeper that first hit the cinemas late last year and is now doing the rounds on Netflix, enabling those who missed it an opportunity to watch surely one of the most heartwarming productions of the past 12 months.
    Oscar nominee Lesley Manville stars as Ada Harris, a working class cleaning woman in the WWII era earning her keep maintaining the affluent abodes of London while her husband serves a tour of duty abroad.
    Her life is thrown a curve when she hears news of her husband’s death in action, whereupon she decides the time is right to cast caution to the wind and embark on a fresh challenge. She scrimps and saves from her tight budget to pursue her newfound dream of travelling to Paris to purchase a couture Christian Dior gown.
    Symbolically for her, the dress will usher in a new chapter, a reminder to the world that she still has a life to be lived.
    But as expected, nothing goes too smoothly at first. Once in the French capital, our everyday heroine is confronted with unexpected barriers of class and presumed taste, both in her interactions with the French upper crust and within the Dior fashion house.
    Yet her journey is one that brings out the kindness and goodness of almost everyone she encounters, each of them moved by her earnest enthusiasm and indefatigably warm heart.
    Filmmaker Anthony Fabian delivers a thoroughly agreeable endeavour that benefits from the superb efforts of Manville (looking every bit a cross between Betty White and Meryl Streep) and her various co-stars, as the performers’ uniformly charismatic work goes a long way towards perpetuating the movie’s compulsively watchable atmosphere – with the lead herself turning in a completely captivating and sympathetic performance that effectively anchors the proceedings from start to finish.
    And the Dior wardrobe on show is pretty spectacular. Models shapely and slender with velvet vestments, silken smocks, enchanting ensembles, and a range of elegant accoutrements jaunt up and down the catwalk, pulling in the viewer as much as a flabbergasted Ada sitting in the audience.
    Although the picture is admittedly a little padded-out and overlong in certain stretches, the midsection’s emphasis on affable, crowd-pleasing interludes goes a long way towards rendering such concerns moot – with the satisfying third act ensuring that the whole thing concludes on as positive and entertaining a note as one could’ve envisioned.
    With nary a word raised in anger throughout, the end result is a first-class piece of work that boasts plenty of attributes that are hard to dislike, creating a pleasant diversion from the plethora of films that seem to thrive on violence, cussing and assorted bits of sex and drugs and rock’n’roll.
    The book the movie is based on actually birthed a series that found Ada going to New York, Moscow, and even Parliament. The foundation is already there for Manville to have her own franchise.
    And after this joyous, not-as-syrupy-as-it-appears first trip, where Mrs. Harris goes, we must follow.

#mrsharrisgoestoparis